Part II: The Revenge!!!

I’m back for revenge!!!


Now that summer is over it’s time to get working! “Hot Air Music Presents…” will now be taking place on Tuesdays at Bar 42 as myself and Mark Knowles have something that we’re gonna be working on for Wednesdays. The first gig back is coming soon on 18th October featuring Funkzilla, Etcetera and Christelle.

poster-18th-oct

Check out the event on Facebook

Opening artist Christelle has an EP you should check out from April, thanks to the support of fans, friends, family and through crowdfunding. You can purchase the EP from iTunes here.

Funkzilla have also been busy writing with some new songs being added to the library, you can here their stuff on their Soundcloud page.


I just had to get my baby niece as she started crying. Now i have here sitting listening to Funkzilla’s Pre Jam which is awesome. Seriously check these guys out.

Anyway…

I have a few recording projects lined up. First being with Phantom of Eden. I have a few original songs for Phantom which not only we will play at the next gig but also hope to record as an EP or album. Also i hope to record my solo stuff soon as well!

In other new i have plans to start doing YouTube videos. I have been planning to re try my music review series Sound Scope of which three original episodes were recorded and were very shit. Thus i am re inventing it and hopefully it will be of interest to anyone. i may also plan some other videos to offer a better range of content.


 

Dreamwaves @ Bar 42


When organising gigs as a student at Northbrook college there is a great system in place where if i do a proposal to my lecturer i can get funds to pay bands who require expenses and all. Really useful and if you don’t make back to full amount you borrow you are not in debt, pretty good huh? Well yes if you remember to do an expenses proposal!

So i woke up last Wednesday morning and realised i needed to get £90 to pay back bands so i raided the last of my wages, luckily my mother was able to loan me some money to use as payment as i didn’t have £90 in my account.

Anyway, i know this one is late but hey ho!


Last Wednesday was a panic fest for me due to the fact that my own money was going into that gig, so if i didn’t make the money back on the door i would have been broke for the rest of the month (not a great realisation). Despite this the gig went quite well! There was quite a big problem however when the main support band did not turn up for soundchecks and also were not there for most the gig. They did however turn up during the third band’s set and so were able to play with a line check between sets.

My panic was lifted when one of my door peeps turned to me and said i had made back the money… You cannot believe how happy i was not to be broke.
I actually did however leave with a small loss because i ended up paying Opportunist, Red Shores and my two door peeps some money as i was just too happy to care really but we had made a good profit!

Lineup:


 

[REVIEW] “Fortress of my Dark Self” ~ Ocean of Grief

A few days ago i received an email from a guy in Greece. He was the guitarist for a melodic doom metal band based in Athens and asked me to do a review of their new EP Fortress of my dark self, here is that review…


Ocean of Grief are a melodic doom metal bands from Athens, Greece. They formed in late 2014 and brought together influences from bands such as Enshine, Slumber and Saturnus. Their debut EP began its production in late 2015 and was released in February this year through Russian label GS Productions.

Photo


The EP opens ominously with a keyboard and guitar, this builds in the first track Spiritual Fortress. One thing that strikes me is the use of death metal type vocals from vocalist Charalabos Babis Oikonomopoulos, though they sound really awesome i personally feel that they don’t really fit with the genre of music too well, at least not as the main vocals. I think the addition of the keyboard is a nice touch and something i feel adds to doom metal music quite nicely when done correctly, which it is here.

The second track comes in with some nice clean-ish guitar and a beutiful distorted lead. House of Misery is the longest song on the EP at 6:22 and has again got some nice use of the keyboards from Aris Nikoleris using what sounds like a synth-strings patch of some sorts. I really like the melodies in this song as well, something about it just clicks together.

One thing i will say is that i feel that this first track and “House of Misery” maybe need some more dynamic variation to the mix to give more texture to the songs

Futile Regrets blasts in as the third song bringing a more uptempo feel to the mix yet still retaining that dark tone. The use of keyboards again draws me in further with a nice piano sound added in here and there.

Cover

From here we move onto “Drowned in Nostalgia”, again returning to the slower ominous opening with guitar and keyboards bringing the track to life slowly before more guitars explode onto the playing field. Again another track that i feel has a good melody. Their is also a nice bit of dynamic and structural variation, probably why this is my favorite track on the EP.

The final track “The Birth of Chaos” has again got that uptempo yet still dark feel to it and also like “Drowned in Nostalgia” and “House of Misery” it has a good melody flowing throughout. This song probably has the nicest sounding solo out of the EP with an awesome melodic bass line from Giannis Koskinas holding up with again the keyboard and guitar.


Despite a couple of small things this is a good EP for people to check out if you are interested in exploring sub genres of doom metal or already like melodic doom metal!

4.5/5


Check out Ocean of Grief with these links:


 

Operation Kino @ Bar 42


Last nights gig was awesome! All the bands were really great and also very friendly, definitely people who i would work with again and hopefully will soon. The only real problems we encountered were band members from Operation Kino and Technicolour Limabean being stuck in traffic and so sound checks had to be delayed slightly. This unfortunately cannot be helped and is no one’s fault. Despite that hiccup we got round it quickly and easily especially Mike Baker, Bar 42’s sound tech, who has probably had similar situations many times before.

The turnout was quite good for a wednesday evening as well, i think it was even better than the gig on 16th was. Hopefully i will be hearing back soon from Technicolour Limabean and Operation Kino about playing a gig on 18th may at Bar 42 in support of the absolutely brilliant Dreamwaves!

Lineup –


 

Photos taken by Leanne Cushnie


 

Drifting towards the Red Shores!!!

 

I encountered an interesting band the other day, one which blasted the audience with a wall of distortion. The band in question is Red Shores, a two piece from Brighton consisting of guitarist Harrison Mortley and on drums/vocals Caleb Morganfield. The band’s music is a mix of Noise, Heavy Metal and Progressive rock and is quite interesting to say the least. There are elements of Doom Metal with them and they have got a lot of potential.

I got the chance of talking with Red Shores last week. “We currently are focusing on developing our sound” says Mortley. It would be really interesting to hear what other genres they could incorporate into their music. Despite their potential i feel that they are lacking a third member, maybe a bassist who they can work with to develop their sound.
I conclude by saying that Red Shores have a lot of potential (despite some of my friends calling me deranged) and with the right development and exposure i hope they will go far into creating some interesting distorted masterpieces in the future!

 

Visit their Facebook  here…